A 1930s printed scarf inspired the design of Bergamot Leaf. The fanciful flower head and leaf design has been faithfully copied with minor adjustments to the scale and re-coloured. Bergamot Leaf is also available as a fabric.

Dianthus Chintz is an exceptionally detailed botanical print inspired by an 18th century sarong. Charmed by its fantastical fronds and frilled dianthus heads, Lulu reworked the antique design to create a fabric and wallpaper. The wallpaper design is of a slightly smaller scale that the Dianthus Chintz fabric.

Lotus Palmette wallpaper is printed at the same scale as the Lotus Palmette fabric. The design is inspired by a Safavid woven silk velvet panel dating from the 16th century.

Palampore Blossom was inspired by a wonderful 18th century Indian palampore, a type of hand painted bedcover traditionally produced for European colonists. Each palampore would take hours to create with complex and elaborate patterns depicting a wide variety of plants, flowers and animals. The fanciful flowers and leaves often seen in Indian textiles arose from a re-interpretation of unfamiliar plants seen in sample pattern books sent to producers from England and France.The design is available both as a fabric, hand-printed on linen.

Turkish Blossom is based on an antique fabric discovered in the Chatsworth House sale. Lulu simplified the richly coloured design to create a more useable, timeless print for both fabric and wallpaper.

This wallpaper is a replica of Coral fabric with its ‘fern’ pattern drawn from the background of Paisley Parrot. The design is subtle enough that from a distance, the wallpaper lends a gentle all-over colour and depth to a wall, but on closer inspection, the eye can wander across the many coral fronds that make up the pattern.

Espalier Square is derived from an early 19th century French design, gently modified and to create a delicate trellis across stone linen, linen lawn and wallpaper. Lulu has always loved the ancient horticultural art of “espalier” where fruit bearing trees are trained across garden walls.Lulu imagines this gentle pattern in many settings, especially in rooms where the walls and ceiling are covered in the paper or fabric to give the all-encompassing effect of fruit trees trained to form tunnels or pergolas in 19th century kitchen gardens.

A scaled down version of Pineapple Frond, which was inspired by an intricate, richly coloured chintz. By removing nearly all of the fine detail and ten of the eleven colours of the original print, we have created the entirely modern print.

Osmunda, which refers to a genus of fern, was inspired by a complicated pattern discovered in the leaves of an ancient French pattern book. Lulu has stripped out the fern-like element to create a pattern which travels up the length of the fabric, mimicking the growth of its namesake. Osmunda has been designed as a two-colour print across two scales.

Osmunda, which refers to a genus of fern, was inspired by a complicated pattern discovered in the leaves of an ancient French pattern book. Lulu has stripped out the fern-like element to create a pattern which travels up the length of the fabric, mimicking the growth of its namesake. Osmunda has been designed as a two-colour print across two scales.

Pineapple Frond was inspired by an intricate, richly coloured chintz. By magnifying the pattern and removing nearly all the fine detail and ten of eleven colours in the original print, an entirely modern Pineapple Frond was created. The design is available as a fabric.

Scrolling Fern Frond is Lulu’s interpretation of a tiny motif discovered in an 1820s French pattern book. A two-colour print adds depth to the large-scale pattern that travels in botanical waves along the length of the fabric and wallpaper. The design is also available as a fabric.

Scrolling Fern Silhouette is the smaller scaled version of Scrolling Fern Frond. The finer, one-colour print pattern travels the length of the wallpaper. The design is also available as a fabric.

Inspired by a watermarked fragment of fine ivory cotton printed in green, from a French pattern book of the 1820s.Having used it successfully as fabric walling, Lulu couldn't wait to bring one of her favourite patterns to the wallpaper range and has translated each fabric colourway into the wallpaper equivalent.